Capturing Captivity

After being provided with a couple of tickets to Noah’s Ark Zoo Farm in Bristol in exchange for some marketing photographs, we headed back there on Thursday to try and obtain some better shots of the lions. It was a particularly chilly day so armed with hats and gloves we set off towards the big cats to have a little look at them first and to prepare a bit. Straight away one of the females walked over and seemed to know we needed to take photos of her, slowly walking to her sister, yawning and turning to face us. I had thought it would take a lot longer to get such good images and so I was pleased that we were then able to have a look around at the other animals as well including my favourites, the giraffes, and the magnificent tigers.

A lot of people have been saying that zoo photography is a cheating version of wildlife photography but I couldn’t disagree more. Yes the animals may be easier to spot but the majority of the time you have to be very patient and work around a number of obstacles in order to get a vaguely decent image. It’s a perfect opportunity to ‘rehearse’ your photography skills on wild animals that you wouldn’t normally be able to see and whilst I strongly oppose zoos where the animals are kept in terrible conditions and are quite clearly miserable, I find them extremely useful places for photography and expanding my knowledge and skills. Whilst researching this particular genre, I also came across a number of articles that pretty much said that unless you are able to make it look like the animal is in it’s natural environment, then you are taking an amateur approach. I think whilst this can be the case, showing some of the background can add a lot to a photograph like the cage and a big cat- it adds a lot to the mood and contrasting ideologies present in the images. I’ve chosen to use this method as well as trying to eliminate it too as I am very interested in showing the truth through my work as well as the contrasting ideas of freedom combined with captivity.

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